F E A T U R E D R E V I E W S
“Andrew Goodwin’s tenor cut through with full-bodied resonance"
Dvorak's Requiem
Limelight - Angus McPherson, September 2019
"Australian tenor Andrew Goodwin made a particularly favourable impression as Artaserse. Comfortable onstage, he imbued each gesture with an intelligent dramatic impulse, making what can be a rather one-dimensional character not only admirable but interesting. Like Genaux, he sang with musicality and careful attention to text."
Artaserse
Limelight - Justine Nguyen, December 2018
"Goodwin’s voice having both clarity and strength, a tenor such as you always wanted them to be
Artaserse
Australian Stage - Nicholas Routley, December 2018
“Andrew Goodwin’s crystalline tenor delivered some of the performance’s most memorable moments”
Handel’s Messiah - Melbourne Symphony Orchestra, December 2018
Limelight - Tony Way
“Andrew Goodwin impresses with the delivery of his role as the Centurion. His sweet, clear tone is an unalloyed pleasure.”
Berlioz’s L’Enfance du Christ
Melbourne Symphony Orchestra
Limelight - Tony Way, June 2018
"This tenor has a flawless delivery, projecting each note across his compass with an exemplary balance...Singing of this elating assurance is experienced rarely these days, and Goodwin struck a fine balance between empathy and simple story-telling..."
Evangelist in Bach's St John Passion
O'Connellthemusic.com, April 2017
“The afternoon's honours went to Andrew Goodwin's Evangelist: one of those performances that lives in the memory for days, the delivery clarion-clear with unshakeable reliability, even in the line's stretching high tessitura, and an emotional responsiveness leading to several pin-drop moments."
Evangelist in Bach's St Matthew Passion
Clive O'Connell SMH March 2016
“Andrew Goodwin, as Tom, displayed the sort of clean-chiselled voice that could have been custombuilt for the role". Stravinsky's The Rake's Progress - Auckland Philharmonia
NZ Herald, August 2013
“The principal pair, Andrew Goodwin (Tamino) and Emma Matthews (Pamina), are noble and true in voice and deed, both displaying gracious attractiveness of sound”. Mozart's The Magic Flute - Opera Australia
Peter McCallum, SMH February 2009
“The real vocal star was Australian Andrew Goodwin's Lensky”. Tchaikovsky's Eugene Onegin - Bolshoi Theatre
Robert Thickness, Opera Now, UK 2008